Douban 9.3, the return of the top domestic variety shows, how much traffic is slapped in the face

in the past two days has been dominated by a male star again.

From "hands" to "tummy", why is the actor's body parts so discussed? The reason for

is the recently "explosive" new drama, "Gentlemen in the East Eighth District of ".

Zhang Han , the former spokesperson of the tyrant, has been low-key for a long time, and he has become a blockbuster.

has been working hard for 10 years, writing, producing, producing, and starring by himself, and he has made a Douban record with a score of 2.2 by 50,000 people.

grabbing the shoulder straps, attacking the chest, lewd remarks... All kinds of thunder points that offend women, it has been scolded for many times on the top of the trending search.

In addition, the workplace dramas that suspend and degrade intelligence, cliché and embarrassing old jokes, and inexplicable brotherhood have been criticized by many audiences as "You can't find the advantages even with a magnifying glass" .

But the rant about this drama, we will arrange it next time.

today's shop is going to talk about a group of people who are diametrically opposed to the "gents of the East Eighth District" -

" Round Table Party " in the sixth season

is an unscripted cultural chat show with a long-standing reputation. Round Table Pie almost never disappoints.

is no exception this season, and soon after his return, he scored a high score of 9.3 on Douban.

host Dou Wentao , still the "little erotic anchor who pretends to be confused" . It seems that he has a sense of inferiority, but in fact the overall situation is under his control.

resident guest Zhou Yijun , moderate expression, arousing comfort, in one sentence. The theme of the first issue of

is "Art of People", namely Beijing People's Art Theater . The

program invited two veteran actors, Pu Cunxin and Li Guangfu from Renyi.

gathered around the table to discuss the face of drama and performance, from performance methods, to characterization, from actors' self-cultivation, to the relationship between drama, literature and society, full of dry goods.

Many netizens shouted directly: Be sure to copy the content of this issue to all actors who have career pursuits to watch! The opening of

is as casual as ever.

talks about acting, starting from "experience life".

Li Guangfu has the most say.

Many people only know him as an actor, but they don't know that he worked as a tour guide, sold vegetables, worked as a police officer, and practiced martial arts. Opened the first individual copy shop in Beijing, and even worked as a doctor for Peking Union Medical College Hospital for three years.

Acting as a doctor, you don't need to act, it's all experience.

plays the role of a policeman, a trader, and a petty citizen, all at your fingertips. In the

program, the 76-year-old old man was full of energy and bright eyes. He talked about his experience of catching " cut (a kind of fraud in the black market)" when he was a policeman.

's rich life experience not only did not delay his main business of acting, but became the inspiration for his creation.

As Natalie Portman said in the interview of the movie " Black Swan ":

" took all the fragments of life, and finally formed my performance."

wants to interpret it well role, experience life is essential.

But staring to find life, certainly can't find it.

Pu Cunxin took his own experience in the drama " White Deer Plain " as an example.

In the scorching sun, I go to the fields every day, work with farmers, cook at home, and conduct interviews.

can stay for five days, and after a toss, I can't find any clues.

why?

Because of Bai Jiaxuan's combination of agricultural culture, family culture, and squire culture, it is not easy to find among farmers in the new era.

pondering and pondering, Pu Cunxin suddenly realized, isn't there a ready-made imitation object in front of him?

is none other than Chen Zhongzhong, the original author of "White Deer Plain".

Chen Zhongshi is drinking and smoking, and his facial lines are full of sculptures.

has a sense of loyalty and intuition all over his body, without a word of flattery, but he seems to accept everything about you. He almost bears the full load of traditional national culture.

found the right feeling, and Pu Cunxin was able to find the direction of Bai Jiaxuan's character.

It can be seen from this that the so-called experience of life depends not only on the accumulation and mobilization of real experiences by actors, but also on the understanding and imagination of texts and characters.

Of course, it is impossible to create a memorable character of one's own by completely imitating and copying experience and prototypes. For

to do this, it requires the actors to put in real hard work .

dances, presses legs, stretches, and his limbs can speak.

sings, has a good voice, and pays attention to resonance.

to perform, but it seems that it is difficult to find a quantifiable standard, so that nowadays the industry threshold is getting lower and lower, and bad dramas are frequent.

So in the eyes of old artists, where is the effort in acting in dramas and filming?

tree. The

tree is not the shape, but the heart shape from the psychological state to the deeper value orientation, which is what we call "similarity".

Li Guangfu once played a silly boy selling salted hairtail in the drama "Xiaojing Hutong".

Because of his bad background, the silly boy's family is often run on money.

So his second uncle made a move, "You, someday pretending to be a PLA, come to our house to have a look" , to show that there are soldiers in his family, and his background is not that bad.

This kid who can sell salted octopus is stupid, stupid and timid. Even if he puts on a military uniform, wears a new bag and wears new shoes, he will definitely not look like a soldier. How does

manifest this violation?

details by one limb.

As soon as the silly boy dressed as Li Guangfu entered the door, he greeted his second uncle in a silly manner, and at the same time, his left knee was slightly bent, his right shoulder was slightly lowered, and his head and body leaned forward a little. This is the etiquette left over from the late Qing Dynasty. .

is such a subtle action that not only makes the characters come alive immediately, but also reflects the changes and changes of history.

Where did this ingenuity come from?

Li Guangfu's method is very "stupid", he "changes" to whoever he plays.

During that time, whether he was standing, sitting or walking, he lived as a boy who sold octopus, and he used his tone of voice to chat with each other when he saw him.

even repeated his lines in various tones while riding his bike, and he heard passers-by scold him for being crazy.

has reached the level of madness - some reactions, with clever designCan't count. The so-called sense of belief, , has never been achieved by fantasy.

Some people say that the script is created once, and the performance is created twice. In Li Guangfu's view, the actor is created for the third time.

Every role contains the actor's own attitude towards life.

even the villain. In

's play "Tea House", Kang Liu sells children in the first act.

Thirteen or fourteen-year-old girl, sold to a eunuch for fifty taels of silver.

There is a clever design here, which is not written in the script - when Kang Liu goes off, there is no sound on the stage.

Only one person woke up smoking a yawn lazily. For this small detail,

replaced four or five actors, and finally chose a little-known actor Zhang Qingshan .

Because he yawns so comfortably, no one can beat him.

A lazy yawn that brings to life the insensitivity of the masses at the time. In the

program, Pu Cunxin gave another example - Shu Xiuwen , a hot star in Shanghai in the 1940s. When

first joined Renyi, she started as a typist as a supporting role without a single line. Lenin gave an impassioned speech on the stage, and there was a sea of ​​excited people off the stage.

shot Shu Xiuwen, the typist she played was sitting in a small corner under the stairs, skillfully tapping on the typewriter , eager and determined.

The sound and amplitude of her percussion matched the rhythm of Lenin's speech, setting off a fierce and high-spirited emotion.

saw the Soviet experts directly boast: "This is a good actor, even though her role is small."

has only small actors, no small roles.

Even if it is a supporting role or a group performance, it must show the truth in the performance situation.

Dou Wentao described the performers as painters who used their bodies to describe stories.

brushes, draw the shape. But a good painter can give people a glimpse into the hearts of his characters.

Pu Cunxin compares himself to a plant that grows long.

has stood on the stage for a long time, grasped the preferences of the audience, and can integrate the audience into every performance.

mentioned here that Mr. Li Shaochun , a famous Peking Opera , once shared his experience in the arts:

every time he went to a venue, he would watch on the stage while drinking his throat, using his eyes as a ruler, to measure the seat of the theater. Depth and width.

The field has grown wider, and he must have taken half a step before appearing.

"I can't let an audience ignore it when I appear."

rooted in them, the love for the stage and the respect for the audience.

However, no matter how strong an actor's subjective initiative is, it is inseparable from the achievement of a good show.

Here, the show takes us to the next issue - the need for drama to be serious.

What is a good show?

Li Guangfu quoted the words of Cao Yu:

is not the warm applause of the audience in the theater, nor their sighs and tears.

But when he walked out of the theater, he was thinking, thinking about society, thinking about life, thinking about fate.

Of course, art has to be fun too.

But at the same time it can be thick and rich and varied.

Pu Cunxin believes that the audience must pursue entertainment and leisureJust entered the theater. But as one of the carriers of literature, drama should also reveal the truth of life.

Looking back, the empty obscenity of "East Eight District" seems to be the opposite of this artistic pursuit.

Not to mention experiencing life, the main creators even experienced ten years of disconnection, and Gu Zi lingered in the oil field. The

program mentioned that when teacher Lu Zhong and were training new actors in Renyi, some people raised this question:

People are under so much pressure now that they want to relax when they enter the theater. Does drama still need to be so profound?

And this roundtable conversation just gave us an answer - the harder the day is, the less we can give up thinking.