Zhang Da’s "Appearance Supremacy", I finally abandoned the show

   Do you think that new dramas are constantly on the line and the number is increasing day by day, but it is difficult to find a work that can catch you from start to finish?

   is especially popular for young idol dramas. The start-up surprise process is mediocre and the end helpless works account for almost half of the number.

   For example, Qihua had a web drama "Appearance Supremacy" in Amway at the end of September. Zhang Dada is acting, and I, who originally rejected me wholeheartedly, stayed up late to watch twelve episodes of

   is highly recommended by half of the entertainment stars to make this web drama lively and make a sense of presence in the newly launched works. Even if the host Zhang Dada's appearance made many audiences discouraged, Seven Chapters still couldn't help being a "crab-eating" audience, and even Amway after watching the first 12 episodes.

The reason for the recommendation of

   is very simple. The brains of one person and two are very interesting. Most of the characters in the play are also very pleasing in the early stage. As a work that is almost all new faces except Zhang Da, it can achieve this level. Really pleasantly surprised.

  According to the plot, the actor Tuo Wenshuai, played by Zhang Da Da, accidentally gets a new body (played by Park Solomon). As long as his soul sleeps in one body, it will automatically wake up in the other. Twins. Are there any very powerful operations? Because of the appearance of this "plug-in", the life of the original inferior fat man Tuo Wenshuai has undergone earth-shaking changes.

   ugly appearance and discrimination? The new body is "set" by heartthrobs, and it is easy to get the treatment of male god.

   was bullied by the school boss Don't be afraid, the new body is not only a good face but also a master of kung fu, instinctive reaction can solve the problem.

   Studying too poorly? In a nutshell, the advantage of the two bodies is that the examination room switches to see the answers at any time.

   In addition, he has also gained friendship and love, and his life is as colorful as a Shuangwen male protagonist with a golden finger.

   Of course, the main line of the story is to let Tuo Wenshuai gradually open his heart through a new body and grow up from a cowardly character. This core is very encouraging for young audiences who are bullying on campus and having low self-esteem due to appearance problems. Finding a clear and meaningful position in idol dramas is quite worthy of praise.

   However, the surprise of the opening was quickly broken by the helplessness that followed.

   collapsed person set

   The most distinctive character of "Appearance Supremacy" is the male protagonist Tuo Wenshuai. He represents a group of people who develop inferiority and cowardice due to their appearance being bullied, and is also the core setting point of the play. Tuo Wenshuai's character setting was relatively in line with reality in the initial stage, but some contradictions gradually appeared, sometimes strong and sometimes cowardly.

When

   was strong, he complained about violent classmates and became a socialist, attracting friends such as Vasco and Gu Qiguang to treat each other sincerely. He even enlightened Gu Qiguang, who had been shutting himself down because of his background, and indirectly healed him. Changing a good body will change my mentality. There is no problem originally, and it is also in the growth line.

After

   just returned to the ugly body, Tuo Wenshuai did not change significantly, his IQ was completely zero, and his behavior pattern did not change due to the recognition of his handsome body. Even sometimes after entering a handsome body, I will often lose the chain. Whether the male lead IQ can break out depends entirely on luck.

The most intuitive slot of

   is the hostess setting. In dramas with more good brothers, female characters need attractive personality settings to be loved by the audience, such as the elder sister in "Chen Qing Ling". In "Appearance Supremacy", the heroine Tao Qiao played relatively well when she appeared on the stage. Although she has a strong sense of justice, she is also an independent and self-reliant girl.

   However, with the development of the plot, Tao Qiao, who appeared on the stage with a strong personality, gradually approached silly Baitian, and his IQ and force values ​​all declined. For example, she went after the bad guys with the male lead, but acted alone after discovering the clues. Even though the male lead was sitting not far from her at the time, she did not leave a message.

   Although it is understood that the screenwriter is set up in this way to let her be taken away by bad guys and give the hero a chance to save the beauty, but when setting the captive scenes, it is more appropriate to adopt a method that is more in line with the hostess's setting, isn't it?

After

   IQ force value is zero, Tao Qiao's concept is more undifferentiated. Although she showed some of the Virgin's character when she appeared, she was very protective of the weak, but overall she was still justHi. But when she appeared to be violated and the male protagonist risked her life to save her, she was extremely frightened and begged the male protagonist to "stop fighting" when the male protagonist beat up the bad guy.

When the line

   appeared, there was a boo in the barrage. Facing a perverted criminal with a high force value, wouldn't it be possible to wait for the opponent to counterattack without knocking out first? Moreover, let the victim who was almost violated in the previous second speak to prevent the male protagonist from "making a mistake", should this person set aside?

   rough acting

   In addition to the character design, acting skills are also an element that significantly affects the experience of watching a drama.

In

  , the two bodies of Tuo Wenshuai in the play are performed by Zhang Da and Park Solomon respectively. The two actors play the same person. According to the plot logic, the performances of the two actors must have obvious commonalities, and the characters presented must be consistent. But the same Tuo Wenshuai in the play has two completely different styles.

   Zhang Da Wenshuai, from body language to micro expressions, is showing cowardice and low self-esteem, and he is very depressed. Park Solomon's Tuo Wenshuai has the unconfidence of young people, and often shows aggrieved small expressions, but the characters have no sense of depression. The performances of the two people have too little in common, and even when the two face-to-face soul switching, the intonation and micro-expression of the speech are completely different.

For performances like

  , independence seems to be established, but together they are divided. In the early stage, because the freshness can be ignored, the more you look at it, the less real it becomes. Obviously, neither the director nor the actors strictly controlled the characters according to the plot logic, which caused obvious gaps.

  , the idol drama "Half of the Beautiful Boys", which is similar to the "Appearance Supremacy" setting, is also one person and two characters, but the performances of the two protagonists are obviously related. The same personality and the same behavior habits can allow the audience to recognize that two characters are the same setting and will not play.

   In "Three Lives Three Worlds Ten Miles of Peach Blossoms", Yang Mi "came into" a scene of a vicious female pairing with a mysterious girl. I believe the audience still has an impression. The role of Xuannv is played by Zhu Xudan in the play. Only when she appears in the face of the heroine, Bai Qian, is Yang Mi "guest". In a short scene, Yang Mi acted the neurotic of Xuannv and imitated Zhu Xudan. The same vicious eyes.

With a similar look in

  , the audience knew that this was a mysterious girl.

   However, Zhang Da and Park Solomon in "Appearance Supremacy" do not seem to have achieved unity in the role modeling, which has become the biggest bug in the story.

   In fact, the collapse of the character set and the problems of acting in "Appearance Supremacy" are also the two most common elements in domestic dramas. The screenwriter ignores the unity of the personality, and always makes the characters do some actions that are not in line with the original personality for the development of the plot, or deliberately creates extreme personality for the purpose of causing conflicts, so that the personality disputes continue to decline in the quality of the work.

   The pursuit of acting skills by directors and actors is not delicate enough, so that actors with strong acting skills frequently appear in idol dramas and become a hot topic of discussion. Although "Appearance Supremacy" did not appear in an intuitive performance, it ignored the unity of the core actors' performance, and also allowed the acting to improve the level of the work.

Although

   has been said many times, it is time for the directors and screenwriters to slow down and pursue a higher quality and a smaller pursuit of quantity. A large number of film and television works have been put together online, but they are still not as strong as the reputation and influence of a few others. What positive significance does it have?