Haven't learned lessons after "Yijia"? She can't bring Song Weilong, so why can she bring Xu Weizhou

"In the name of family". Not long after the screen was finished, Tan Songyun's new drama "Dear Mayang Street" was launched. This time we partnered with Xu Weizhou and Niu Junfeng , Once again staged the drama of two male gods + one female lead. This drama mainly tells the life stories of six families on Mayang Street in Guangzhou in the 1980s. It feels like "please answer 1988", and I wonder if it can have the same quality as 1988!

is already 30+ Tan Songyun , and she still has no sense of disobedience when she plays a young girl again, and the younger actors are still full of CP feeling. But why in recent years, after cooperating with Jialun, why are the actors she worked with getting younger and younger? It didn't drive Song Weilong last time. Can it drive Xu Weizhou this time?

When "In the Name of the Family" was broadcast, the attentive audience discovered the age of the character, which is completely opposite to the age of the actors who actually appeared in these characters. The 21-year-old Song Weilong played the eldest brother, and the 24-year-old Zhang Xincheng played the second role. Brother, 30-year-old Tan Songyun plays the younger sister. Ling Xiao, played by Song Weilong, is a cold and alienated character. Influenced by his native family, he has been very independent and rational since he was a child. On the surface, there is no joy, anger, sorrow, or sorrow, but in fact he has a clear heart. In order to create this kind of cold and alienated persona, Song Weilong was very calm no matter what lines he said, and he would not feel the emotions of the characters from the lines, which made the audience think he was a wooden person. In the beginning, it can be explained by the use of human settings. Compared with Zhang Xincheng's controlling and explosive acting skills, it can only be said that he was "hanged".

To give a simple example, the same is facing a family accident. Song Weilong's eyes were dumbfounded, not as if he heard his grandmother in a car accident, but as if he was criticized for not speaking, and even a little sleepy. Facing his mother's various excessive behaviors, he even put on a show. You can have an attitude of whatever you like, and more importantly, illness. It’s really because of the male protagonist's halo that you can’t see it on the surface. After years of insomnia, he didn't even have dark circles under the eyes, so he was ill when he became ill.

Let’s look at He Ziqiu, played by Zhang Xincheng. Many crying scenes made the audience cry. Faced with the mother who had not seen each other for many years, she froze at first, then pretended to be indifferent for dialogue, and finally her eyes were red and suffocated When the tears broke out, the comparison of the crying scenes of the two male protagonists also triggered a discussion among the audience, "Is there a wall between actors from academic classes and actors from non-professional classes?" The answer is obvious.

However, in "Dear Mayang Street", this situation will be staged again. Xu Weizhou’s works have continued since his debut, but his acting skills have been criticized so far. Except for the out-of-circle "Addiction", there are basically no works that have exploded. The roles of the works in recent years have the same tone. This year’s "" "Midsummer Man Tianxin " even rushed to see.

And his "rival" Niu Junfeng, since participating in a certain acting variety show, has been included in the new generation of actors with acting skills, this year's "Twenty Do Not Confused", he played the role of Zhao Weiwei. It left a deep impression on the audience. In the trailer of

recently exposed, Tan Songyun and Xu Weizhou kissed passionately on the set, which was ridiculed by the audience as a "wire kiss". Last time, the kiss with Song Weilong in "Home" frequently went out of the circle, harvesting a wave of traffic for the drama , Can this kiss scene be reproduced successfully?

is already 30+ Tan Songyun. Although there is no sense of disobedience in acting as a girl, it is not a good thing to frequently play homophonic roles. I hope that next time we can see Tan Songyun's more contrasting roles. Such a good acting skill is a good actor, really Should not be buried. The age of the partner is not a problem, but I hope that there will be more capable actors to play with. The whole area is boring, and the acting skills are wonderful. She should not become the next Chen Qiaoen with such excellent performance.