2020 is a year of gratifying works for Tan Songyun. At the beginning of the year, she and Ren Jialun starred in the costume drama " under the Jinyi ", which attracted much attention. She played the "Yuan Jinxia" elves and had countless fans. In August, she starred in the urban family growth drama "In the Name of Family". Hot search on the screen has caused extensive discussions on the relevant plots on major social platforms. A few days ago, Tan Songyun was interviewed and shared her understanding of the protagonist Li Jianjian, as well as her views on family, siblings, and love.
Collection_ Our reporter He Haizhu
Acting from Li Jianjian’s teens to his twenties
“I didn’t deliberately maintain a sense of girly,
, my face is like this,
z13 Everyone must know how to appreciate the diverse beauty of women, but a severe social reality lies in front of them, that girlyness is still the only weapon for domestic actresses to fight for important roles for themselves. And Tan Songyun, who has been full of girlish feelings since the filming, is undoubtedly the envy of her peers. Some viewers are curious, does Tan Songyun have any secrets in maintaining a girlish feeling? In response, Tan Songyun responded that she did not deliberately maintain a girlish feeling, and did not even know what a girly feeling is. “I think it’s because of the role of Li Jianjian. Maybe I am not so girly even if I am out of the tip, including the following scenes Girly feeling.” In her opinion, the word “girly feeling” is not good or bad, and she did not deliberately maintain it. “My face is like this, and the state is changed according to the needs of the character.” It’s just that the character will pick people. Tan Songyun, who was born with a cold age, has no sense of disobedience from Li Jianjian’s teenage to her twenties. This is her own advantage. You don’t need to be too envious, just enjoy it.
Nandu Entertainment×Tan Songyun
"In the sharp heart,
big brother and little brother, palms and backs of hands are all meat"
Tan Songyun: We asked every actor about this drama, they would say that the filming was very happy and the atmosphere was very good. Through watching the director and watching the highlights, we can also see that our creative atmosphere is a very professional, but very relaxing environment. , So many things that come out are improvised and interesting. There are also many scenes that are very impressive, moving, sad, funny, and warm. For example, when we were in the supermarket, when we were young, we went to buy snacks. One hit the older brother with a hammer, and then the older brother put the hammer back (scene). These are actually improvisations at the moment, and everyone just performed them. There are many such things. In this drama, the way we get along in life is two brothers and one sister.
Southern Metropolis Entertainment: Watching the set-up, Song Weilong and Zhang Xincheng called you "Tan Photo". Did you shoot a lot of blockbusters on the set? The previous waves are pretty good-looking, when will the inventory be sent to everyone for benefits?
Tan Songyun: did take a lot of photos, and their stunning blockbuster, I haven't decided when to post it.
Southern Metropolis Entertainment: In the play, the two fathers Li Haichao and Ling Heping, what do you think is the difference in their status at home or in the hearts of the children? What are the feelings or gains of working with them?
Tan Songyun: The two fathers of are very good. We also regard them as fathers and friends, so we can see the natural family atmosphere inside.
Southern Metropolis Entertainment: Share your feelings about the play with the two brothers in the play?
Tan Songyun: The five of us all have a sense of substitution together, and the way we get along is very much like in the play, like a child coming out of the house.
Nandu Entertainment: How do you understand Jianjian’s different feelings for the two brothers? What do you think of them interfering in sharp love?
Tan Songyun: In fact, the two older brothers are in charge of the point of dating. As an audience, I would think that it would be good to control it. It is also a kind of love. But for the tip, she would think it was possible when she was young, because when we were together, the eldest brother controlled me, even if I refused, I didn’t like it, I played my temper, or agreed to the eldest brother, I think they are all relatively (justified ), at least their feelings are unbroken. But after nine years of coming back, Jianjian didn’t untie the knot in their minds, and now they are directly and particularly aggressively interfering with their lives. I think there is still a mentality of saying "why?" Well, I think this is good, let her vent, otherwise she always pretends to be affection in front of her brothers, and is at a loss, so that their problems will never be solved.
Southern Metropolis Entertainment: As Li Jianjian, how do you understand the title of the play "In the Name of Family", because recently my brother has been acting because he loves to interfere with his sister's life. Do you think there is a "safe distance" between family members?
Tan Songyun: If the two older brothers have the same feelings as they were when they were young, I think the safety distance does not really exist, and today there is no such thing as "why do you interfere with my life". She was not angry with her brothers, but in fact, she was angry because the brothers left.
Southern Metropolis Entertainment: Everyone admires Li Jianjian. She has such a good family. Her optimistic and positive personality is also popular with everyone. What do you think of this role? How did you understand this character in the process of playing her?
Tan Songyun: I like Li Jianjian’s point very much. Her method of curing others is not that of special chicken soup, but her brain is ingenious. You may think she would do this at this second, but she is different. One way of thinking, and another way of thinking, you will still find it very cute and there is nothing wrong with it. This is what makes me feel very cute.
Southern Metropolis Entertainment: Li Jianjian is a woodcarver, do you have any technical preparations for this role?
Tan Songyun: is right, because she is a woodcarver, so she asked the teacher to teach woodcarving before entering the group and before we started up, because I was not good at drawing since I was a child, and I also started to learn from painting, which took about two classes. Paint, then carve and polish these.
Nandu Entertainment: In the play, Li Jianjian's high school and working period are very different in terms of time span and personality change. How do you view and interpret the two different stages of Li Jianjian who are completely different?
Tan Songyun: If changes, I think Li Jianjian before is the gas station on earth, she is the gas station for everyone in the family, and their little sun, until her favorite brother is gone and both brothers are gone , That was a big blow to her, and it was also a very important node for her growth. There are two elder brothers who can spoil her unscrupulously, fearlessly, and father will not ask her to take the first place. The requirements were very low, and my elder brother spoiled her. There was nothing to worry about, but after her elder brother left, she grew up slowly, and she had to have a sense of responsibility, so she would not be so unscrupulous. This is quite sad.
Southern Metropolis Entertainment: How to realize the psychological transformation from family affection to love?
Tan Songyun: First of all, this relative is a relative who is not related by blood, so after becoming a lover, he walks back from the lover and becomes a relative again. This is what we want to say in this drama, that is, as long as we cherish and love each other , Even if there is no blood relationship, you can become a family.
Southern Metropolis Entertainment: Which brother do you personally like?
Tan Songyun: is in the sharp heart, the palms of the palms and the backs of the hands are all fleshy.
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