In the tragedy of "Who is the Victim", three types of self-cognition point to different destinies

   In 2020, Netflix has created an excellent Taiwanese drama. I have always heard of it, but I didn't dare to start it because I heard that the realistic scenes are very interesting.

   When it took a weekend, after the crazy brushing, of course, it was still going to eat, but it was a mixed bag. I don’t know where to start.

Although

   is a Taiwanese drama, it still follows the characteristics of American dramas, and shows true humanity in complex plots.

   Human nature is so complicated, so complicated that when "Who is the Victim" tells a story in 8 episodes, it turns out that human nature is more complicated.

   This drama is short but savvy. You can see the impact and reflection brought about by the original family, ethical relationships, criminal psychology, human darkness, self-identity and so on.

   One of the things that touches me most is the dislocation and inconsistency between social identification and self-identification,

   Under a simple explanation, social identity means not knowing oneself and not seeing one's own heart, so it relies on external evaluations for self-evaluation.

   And self-identification, you can look at yourself and the world rationally, and know what you want.

   Because of the gap between these two identities, the characters in the play finally took different paths.

   led the criminal investigators with Fang Yiren, Xu Haiyin and Zhao Chengbao to start the process of investigating the case. In this process, it clearly showed how a group of small people gave up their lives.

   These little people hope to illuminate others like fireworks at the last moment, but it's just a sad game with no return.

   In the process of displaying these group portraits, there are three types of two identities: the dislocation, the redeemer, and the firm.

   Displaced people end their lives by suicide, the redeemers are constantly struggling to live in life, while the steadfast people are only for their own hearts, and may have dislocations in values, but live comfortably.

  The sorrow of the misplaced

  The dislocation is represented by Jiang Xiaomeng,

   They (she) want to end their lives by suicide, trying to get the attention of others and society by lighting up the lives of others.

   They expect to bloom once and be understood once at the last moment of their lives.

  The sorrow of these people is that they did not really understand what Lu Xun once said,

   Lu Xun once said: The joys and sorrows of human beings are not interlinked, I just think they are noisy.

first talk about Jiang Xiaomeng.

   She used to be a kind and strong girl, but it was her misfortune to live in a native family. After all, her father Fang Yiren had psychological problems and was unable to give her and her mother normal love.

   Therefore, Fang Yiren chose to leave when he found that they might continue to hurt them.

   But Fang Yiren’s departure was a huge blow to Jiang Xiaomeng. What's even more outrageous was that when Jiang Xiaomeng tried to find Fang Yiren to sign, he found that his father didn't even look at himself.

   Fang Yiren cannot be blamed for this, because he has been immersed in the case, immersed in his own world.

   If an ordinary person returns to his work unit, he will at least look up and greet the people at the reception desk. There is no one else in the lobby, only his daughter is there, but he can't see it. Jiang Xiaomeng is desperate.

   She believes that her father has always abandoned her and does not recognize her at all. What's more, the whole society also ignores her low-level people.

   She wanted too much to get her father's attention, so after being fooled by Li Yajun's theory, she started a series of helping others commit suicide, but also to get her father's attention in this way.

The important thing for

   is that she must pass these suicides that seem to be homicides, and attract Fang Yiren's attention.

   She succeeded, but this success makes people feel cold behind her back.

   It seems that both she and Li Ya are helping others realize the so-called final value of life. They are actually murderers, or at least those who die.

   is just to persuade myself with a high-sounding reason.

   Jiang Xiaomeng wants to be recognized too much, lacks father’s love,Then try to get the attention of the father's love in the end.

   It’s just that she radically believes that good communication is not enough. What is needed is to move forward. Only in this way can she get the attention and reluctance of her father.

   and the others? The same is true. Regardless of the reason, one expects to be recognized by others and society. The only thing missing is self-identification, so they all live in the abyss of pain.

   Following the social concern caused by suicide, we can see a long road in the hope of obtaining social recognition, but it leaves a cruel scene.

  The tragedies and appeals of life are different.

   Su Keyun is an outdated singer. She didn't grasp herself when she was brilliant, and drug abuse ended her singing career.

When

   returned from detoxification, the times had changed, but people found they had been forgotten in middle age.

   She can't forget her once red appearance, so she wants to make a comeback again, but unfortunately no one recognizes her anymore, she is already a yellow flower yesterday.

   She is eager to gain recognition again, and only in recognition can she find the courage to live.

There is an interesting scene in

  . In the face of media reports, Su Keyun, who is still alive, is very happy in a corner that no one knows. She is once again recognized by the illusion.

   However, she also knew that even if she did not want to die at this moment, her mental state could not bear the reality gap that she might face, so she could only end in the illusion.

   You Chenghao is the younger brother of KTV, but he is male physically, but female psychologically.

   He wanted to have sex reassignment surgery. His parents strongly opposed it. At the same time, because of the behavioral gap between his male identity and psychological female, he did not gain recognition in society, and he was often bullied by others.

The root of

   his pain lies in his desire to identify with others. He cannot go his own way and let others speak, so he slips into the abyss of despair step by step.

   The final external identification pressure, coupled with his inability to cope very well, put him on the road of no return.

   Zhang Congjian is a real estate agency, a sales star, and his high-pressure work made him unfortunately suffering from cancer.

   The company wanted to fire him because he could no longer obtain greater benefits for the company. At this time, he remembered to expose the ugliness behind the company, but no one listened to him.

   Zhuang Bingrong is a blind woodcarver. His woodcarving works were stolen by his younger brother to participate in competitions and touring exhibitions.

The younger brother

   gained wealth and honor. Although he knew he was deceived, he still couldn't take a crucial step.

The

   fairy tale deceived him. He thought he was not capable of pursuing sunshine.

   He has never thought of letting everyone know the truth through other methods. He wants to get social recognition and hopes to be remembered by others, but he gets it through extreme methods.

   Liu Guangyong, who was only 17 years old at the time, was too young. Under the threat of the boss, he mistakenly killed the hostage.

After being released from prison,

   felt guilty about the incident and moved to the vicinity of the hostage's daughter's residence, trying to make up for everything, but he couldn't make up for his knot.

   He didn't know that it was not difficult to truly identify with himself, but he hadn't thought about it.

   Zhou Yang is a paralyzed person who lives in a nursing home. He saw the indifference and selfishness of this "black shop" in the nursing home. However, he was very quiet and received no response from anyone.

   Zhou Yang’s only wish is to expose the ugly behavior of the nursing home by his own death.

   The self-improved will find breakthroughs in various ways, while the weak will only grab the ground with the head, thinking that only blood can wake up attention.

   Back then, the dialogue between Tang Ju and King Qin might explain the problem:

  Qin Wang said: "The fury of the commoner is also free from the squat and the head grabs the ears."

   Tang Ju said: "The wrath of the mediocre husband is also the wrath of the Africans. The assassin king of the husband, the comet hits the moon; the thorn of Nie Zheng, the thorn of the Han puppet, the white rainbow runs through the sun; The warehouse eagle struck the temple. The three sons are all men of commoner clothes, and they are not angry., Huo She descended to the sky, and the ministers will be four. Ruo Shi will be angry, and the two corpses will bleed for five steps. The world is plain, as it is today. ”

   Is Huashan a road since ancient times?

   For these people, there is only one way to go.

   Each of them expects their own voices to be heard and their demands to be taken seriously. However, the world is so cruel that you have to work hard to reach your goal.

   is just these people who think they can't reach it by their own ability, so they choose a radical way to operate.

   Xu Haiyin actually said at the end that there is only one way to face the sufferings of life: to live, to live by all means.

   It's just that these people have not reached a certain level of self-identification, and they can't find a way out in the face of hardship in life.

   They don’t know how to talk to their hearts, how to find a way out in constant conversation.

   They don’t know that there are also self-redeemers and stalwarts who also face difficult circumstances.

   I don’t know, life is full of difficulties, but there is actually another belief, that is to live.

   So how do self-salvation and steadfast people face the difficulties of life?