At present, one of the "Twenty-Four Twenty-Four Music" series of performances, the traditional Chinese music concept drama "Jiyue·24" has entered a tense revision period and will be rerun at the end of the year. On the 8th, the MV for the promotion song "Zhuang Zhou", a collaboration between Twenty-Four Music and King Glory, was officially unveiled at Chengdu Yongling Museum. The MV was composed by Huo Zun and performed by Twenty-Four Musical Instruments.
Chengdu is an ancient cultural capital with a long history of more than 3,000 years. The former Shu dynasty in the late Tang and Five Dynasties left a wealth of poetry, music and dance art treasures for the city. The twenty-four music figure embossed on the waist of the sarcophagus bed in Chengdu Yongling Museum is the only cultural relic that has been discovered so far that fully reflects the combination of the Tang Dynasty and the former Shu court band.
According to textual research, the "Twenty-Four Twenty-Four Music" performances are exactly the moving moments of music and dance when the famous palace drama "Neon Feather Dance" in the prosperous Tang Dynasty broke out. The stone carvings have a meticulous expression of the instrumental music performance scene: there are 22 people in the art and music, and their hair styles, styles, costumes and seats are different. They show different movements and postures due to playing different instruments. The playing instruments include 23 pieces (sets) of 20 kinds. Divided into three categories: string music has three types: pipa, vertical 箜篌, and zither; wind music has six types of 篥, flute, 篪, sheng, xiao, and shell; percussion has clappers, sing drums, harmony drums, and Qi drums, etc. 10 species; and 1 species of blowing leaves. The stone carvings show the grand scale and magnificent scenes of court bands in the late Tang and Five Dynasties. Some of these musical instruments come from West Asia and Central Asia, full of rich silk road customs, which not only reflects the openness and tolerance of ancient Chinese civilization, but also represents the diversity and prosperity of Qianshu music culture. The person in charge of the
IP operator stated that "Zhuang Zhou" originated from the story "Zhuang Zhou's Dream Butterfly" in "Zhuangzi. Qiwulun", and "Twenty-Four Skills and Music" is a stone carving cultural relic of Chengdu Yongling Museum, which is the palace of the Shu king. The band, they have existed for thousands of years. As one of the three sages of Jixia in "The Glory of the King", Zhuang Zhou is different from "Zhuangzi Qiwulun". In the game world, he has the worldview and lifestyle of modern people, which is between dream and Between reality. When shooting the song's MV, the team chose the Xiling Snow Mountain in summer to present a fairyland like a dream.
Tianfu Morning Post reporter Duan Zhen
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