The Korean movie "Parasite" is regarded as a masterpiece, the first half is dark humor, and the second half is dark and thrilling. My feeling after reading this is: I have to be able to be a parasite. My brother can speak English, my sister can endorse and PS, my father can drive, and my mother can be a competent nanny. The reality is that the poor and the rich are each other’s parasites. The poor cannot survive without the rich. No one pays him. The rich cannot survive without the poor (the mother of the rich can’t cook), so if you can’t change yourself The reality of the poor, just work for the rich, don’t play tricks. The movie
can actually go on like this, the first half remains unchanged, the ending becomes, the parasite and the host are integrated. The youngest son married Bai Fumi, the president and his wife divorced, and the former married Jessica. If you have a bigger brain, your wife will be frustrated by her husband's betrayal, and she will be with Song Kanghao. For the benefit of the whole family, her mother will bear it and continue to be a housekeeper, but the smell will eventually be the same. Wouldn't it be a good arrangement for
? The ending of the movie extremes the conflict between the two classes. Although it is good to watch, it feels a little bit abrupt, because the parasites cannot be separated from the host, and they will not take the initiative to kill the host. If you don’t consider whether the plot is reasonable and follow the plot completely, the movie will be fine.
But the problem is that people at the bottom of the society have no way to pretend to be like in the movie. There is no way to take up the job of the rich. The reason why the rich is rich is not made out of thin air. Movies strengthen the poor's ability to earn a living and vilify the rich's ability to perceive. This movie cannot be said to be profound, but it is not as profound as the kneeling person said, because it is not true.
objectively said that "Parasite" is a clever movie, and the class contradiction it reflects is exactly what the major film awards like. It can be said that it is a movie born for the sake of winning. So even if this movie wins this year’s Oscar for Best Foreign Language Film, I won’t be surprised. Bong Junhao is really good. It can be said that there is no bad person or good person in the whole film. He blurs the issue of class itself. The contradictions of different classes are highlighted, and the details are handled very well.
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