A few days ago, Li Weijian, a cross talk actor and chairman of the new Beijing Music Association, mentioned Zhang Yunlei in his speech at Beijing Sport University, and said: "It is a great merit to get some people out of the bar and disco."
Li Weijian To tell the truth, Zhang Yunlei, who is handsome and sings well, has made many young people reacquainted and fell in love with traditional Chinese folk art. Zhang Yunlei has made a contribution, and it is time for Chinese cultural confidence to bear fruit.
Let me talk about a real thing I experienced first. A local children’s host contest and talent show were held in the local area. A fifth-grade girl came to the stage to bow and sang Duan Zhang Yunlei’s famous work "Explore the Qingshuihe". It may be nervous. The girl sang with Zhang Yunlei's original sing. She glanced at the young contestants, and she really sang to the tune.
Maybe ten years later, Zhang Yunlei is already dead, and Deyun Club may no longer exist, but the little girl and the children humming in the audience have deeply remembered the Beijing little tune "Explore the Qingshuihe" , Let that traditional tune become my childhood memory and adult feelings. This is the influence and cultural memory that an idol-type crosstalk actor brings to the new generation of young people.
Once upon a time, our young people admired the singers of Hong Kong and Taiwan, Zhao Lirong, Cai Ming, Guo Da’s classic sketch "Star Chaser", and "I Love My Home", Guan Ling clamored to see Leslie Cheung, you can say again Reality and imagery couldn’t be more vivid;
later, "Korean Wave" struck violently, TV stations were all Korean dramas, Korean songs and Korean Tianduan became everyone’s idols, feminine and beautiful "boys over flowers" were praised by young people until Now, the localization of Korean variety shows has become a killer feature for various satellite TVs to gather popularity.
In the nascent Chinese film market, the frenzied bombardment of Hollywood blockbusters and the marketing expertise of domestic pseudo-blockbusters have made audiences disappointed and hopeless with domestic films. Domestic films have become synonymous with bad films. Until "I'm Not the God of Medicine", "Operation Red Sea", "Operation Mekong", "Wandering Earth" and the recent hit "The Reincarnation of the Devil Boy of Nezha", the circle of friends has been blown up again and again.
Have Chinese people really lost their cultural confidence? it's not true. The notion of fawning on foreigners and the idea of "the moon in a foreign country is round" is definitely not made in a day. It is precisely because our works are inferior to people and our ability is not recognized, we will appear like well-known directors who bring excellent films abroad to report awards. , And even gave up the strange things that were released in China for awards. It is precisely because our cultural works are indistinguishable from "foreign products" in terms of quality and quantity, that has caused consumers to lack confidence in domestic film and television dramas and cultural products.
Now, more and more excellent domestic film and television works have appeared. There are idol stars like Zhang Yunlei, who put their enthusiasm and talent in digging and innovating traditional folk art. The repackaging and performance of the jokes that keep pace with the times has brought about the emergence of a new generation of children who are fashionable to sing "Explore the Clear Water."
Li Weijian is a sensible person. He has seen through the general trend of cultural self-confidence and independent innovation, and has seen more and more artists like Zhang Yunlei, who speak with works and eat by their skills.
Regardless of the arguments of “only fans, no audience” and “why does the cross talk club form a group”, from the results alone, Zhang Yunlei has successfully affected our young generation. It is difficult to order one. Like it?
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