According to China Film News, the National Film Administration has suspended mainland films and personnel from participating in the 56th Taipei Golden Horse Film Festival in 2019. As soon as the news of
came out, many netizens praised it, saying that it was great, let's play by yourself, and looking forward to an authoritative movie award in the mainland.
used to be the most important film award in China, but now it is in decline. The
Golden Horse Award was born in the 1960s. In the early days, the more mature Hong Kong films fully occupied Taiwan. A group of Hong Kong filmmakers from the Shaw Brothers and Jiahe companies represented by Li Hanxiang, Hu Jinquan, and Zhang Che entered Taiwan for development.
Hong Kong filmmakers brought mature ideas and shooting methods, leading Taiwanese filmmakers to find the direction of progress.
So at the early Golden Horse Awards, the winning films and filmmakers are basically from Hong Kong, and actors who debuted from Hong Kong such as Ling Bo, Li Lihua, Lu Yan, and Qin Xianglin also shine in Taiwan.
In this process, a group of actors such as Gui Yalei, Qin Han, Xu Feng, Shangguan Lingfeng, Ke Junxiong and several famous directors such as Li Xing and Bai Jingrui were born in Taiwan. It is the development brought about by the integration of Hong Kong movies. The emergence of these local filmmakers has laid a solid foundation for Taiwanese films.
In the 1980s, a new group of Hong Kong directors led by Wu Yusen, Tsui Hark, McDonald, and Yan Hao also entered Taiwan.
Violent police stories, extremely delicate emotions and historical sentiments of Hong Kong people. This type of film has become popular in Taiwan. "Heroes", "Provincial Hong Kong Flag Soldiers", "Rolling Red Dust", and "Autumn Fairy Tales" have just found their way. Taiwanese films have been "beat back" to their prototypes.
filmmakers at this time also realized the importance of originality and innovation.
With the emergence of Ang Lee's "Pushing Hands", Yang Dechang's "Guling Street Juvenile Murder", Wang Tong's "Scarecrow", "Banana Paradise", Cai Mingliang's "Teenage Nezha" and other films, Taiwanese movies have quickly shown an amazing posture It shines in the Chinese-speaking area and even the world.
They pushed the momentum of the new wave more and more violently. Not only did these films have excellent film quality, but the film language and themes were also pioneering at the time.
And now, the impression that the Golden Horse Awards has given the audience is that "Taiwanese films flatter each other in their own small circle", which means that they will pull the generals out of the box.
The best-selling Taiwanese film in 2018, "A Story More Sad Than Sadness", broke through 220 million Taiwan dollars at the Taiwan box office, or about 49 million yuan, which is completely incomparable with the mainland market.
Looking at the list of nominations for each session, a group of unknown juniors competed for the supreme king of their hearts with films that they could not call themselves very good. Every award ceremony is also rare, and only a few stars can attend. Over ten years of development of
, it seems that apart from the first few famous directors, there is no injection of new power. As a result, when these old directors take a short break or fall into a creative bottleneck, there is no director who can take over, and no one can inspire. For works with new market potential, the Golden Horse Awards will naturally enter the “empty window period” mentioned earlier.
At the same time, mainland films have gradually aspired to the Golden Horse Awards, and the proportion of mainland films has gradually increased. For example, I am not a god of medicine, but now with the decline of Taiwanese films and the death of Grandma’s Golden Horse Awards, mainland films have gradually lost sight of the Golden Horse Awards. Because of interest, even this year’s promotional posters were laughed at.
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