Why is "Sweeping Drugs" such a high score? In fact, there is a certain reason for the detailed analysis

's 2019 summer film "Sweeping Drugs 2" gave us a glimpse of Hong Kong-style movies for a long time. The box office has reached nearly 1.2 billion, and it is still growing; however, what is not in line with the box office is the score. The score given by Douban is only 6.2, which really surprised many people. At the same time, many viewers also thought of the movie "Anti-Drug". "Anti-Drug" was released in 2013, and its rating was 7.2. Obviously, in the eyes of the audience, this movie is still quite strong in terms of plot and other aspects. Next, I will analyze the reasons for the high score of "Sweeping Drugs".

Director style

Director Chen Musheng has always liked his movie style since "Street Fronts Rage on the Street". He is mainly action movies of police and robbers. What he emphasizes is naturally not plot or depth, but smooth and direct. Violent shock, you won't see any literary words in his movies, and spend a lot of time cultivating emotions. Instead, start fighting without talking nonsense, and directly replace the flowers with blood. In the process of fighting, you can also see that the stories will slowly peel off and take off their shells, but this method is crude and cruel. Very hard. The script and story of

movie script

"Anti-drugs" is very neat. As mentioned earlier, there is not much structure and pretense of mystery, so it is directly expressed. Undercover, drug lord, and police Conflicts with the underworld, the theme of each time revolves around Liu Qingyun, Koo Tianle, and Zhang Jiahui. Every time I watch Chen Musheng’s movies, I feel that this is how the police and robber movies are played. The conflicts and gun battles between the police and the robbers, as well as the potential dangers and uncertainties in the streets, come to you. Why do you make a lot of gimmicks when you come and go.

Every villain’s scheming and cruelty has its own humanity. It does not say that it is a gangster who will perform specially. If their life experience is hateful, or how vicious they are, just use the screen to speak directly. To decide everything, this is the way the movie should have. Let the plot be performed on the camera, not just after saying it. There is only one main axis, which is centered on the three people. Their task is to fight drugs, so they must penetrate the underworld and accompany the crisis at any time. This is very urgent, and occasionally there are gaps that surface, just right. The

brothers’ loyalty is on the weaker side, but this is not the main fatal injury. Although it is optional, there is no place to eat, like the lettuce decorated on the staple food, it will be more refreshing. There will be no impact. It may be to maintain a smooth rhythm, so the interspersed points are irrelevant. I don’t know why there is a sense of black humor. The most obvious one is that Gina is a man. It’s just that this sense of humor is piled up with very horrible images, and it is still innocuous.

The rhythm of the movie

is very smooth, which is the biggest advantage. It should be said that action movies must have a model of action movies, and should not deviate from the original route, and then focus on unimportant things and consume time there. As a result, the story was not explained, and the action scenes were fragmented. If you like action scenes, you really can’t miss it. The mirror-sweeping and action scenes, as well as the methods of creating tension, can be said to be very mature. There is almost no need to talk too much nonsense. You can relax in any scene. Understand, if you watch the plot seriously, it's really not difficult.

​​really did not waste the atmosphere created by these three actors with their acting skills. In addition to letting them play, there are also their own good parts, although the script is written too far without considering the space, which means it is very simple and difficult. There are other developments. Perhaps it should be said that these three people are together and don't need to write too much in the script. Instead, they waste their acting skills. Of course, other supporting actors also have many performances. They used their short-lived shots to create many shots, solemn and wild, as if they were directly exposed to the wind, rain and thunderstorm of a typhoon.

But it’s a pity that a lot of plots have been created in the front, like the sly and cruel of the Thai drug lord and the eight-faced Buddha, and the transition is too fast. The final battle before the end is also a bit weird, which makes it impossible to blend in with emotions, but It's still very refined, because the suspenseful and tense action scenes and gunfights make the atmosphere compressed to the point where you need to take a breath. Perhaps in order to rush out the climax at once, many parts were sacrificed, but the sacrifices are very valuable, making the scene full of cruelty and blood,Can continue to the last side, until the screen appears staff.

What’s amazing about the movie

"Awei is dead, you picked an idol, Duan Kun, I’m sure, and Jesus can’t keep him, I said." This line should be the most impressive to the audience in the whole movie Today’s lines have been let many people imitate. I have to say that a good movie is not only reflected in the director’s style, the actors’ performance, and the control of the scene. A simple line is also a good addition. Sub-items; in many movies, a good impression of the audience’s lines will naturally leave a good impression on the movie. For example, the lines in "A Chinese Journey to the West", the classic confession of the past few years, the audience still relishes the memories. Taoist.

"Transgender" should be a characteristic of Thailand. When Zhang Jiahui played Zhang Ziwei returned to Hong Kong again, there was a woman beside him; at the beginning, the audience thought she was a "real" woman, but later discovered she was a person "Transgender", how many audiences are amazed by this "transgender"; in fact, there have been similar episodes in many movies, such as "Thai 囧" also appeared in this plot.

"Vow to the Mountain of the Knife" is a song composed by Huang Zhan and Gu Jiahui. When this song is played again in the movie, the audience will only miss it, the late music master Mr. Huang Zhan. His songs can be said to have influenced 8090. Many of the popular songs in Hong Kong movies of the 1940s were written by the late master, such as "A Laugh in the Sea", "Shanghai Beach", "A Man Should Be Self-improvement" and so on. The above

is the simplicity of the author's "anti-drug" movie. The reason why it has left a deep impression on the audience so far is that the film has worked hard in many aspects. This movie is worthy of recognition; it is said that it is starring Louis Koo and Zhang Jiahui Another movie "Walker Walker 2: Operation Bourgogne" will also meet with the audience on August 7th. At that time, everyone will definitely support the two movie kings.