Wu Yaohan, the "ghost" Roland, and the "Taoist" Lin Ching-ying, are the three strangers who impressed Hong Kong-style ghost films the most when I was young. "Meng Ghost Mountain Tomb" is directed by Hong Kong director Yi Lei, co-starring Wu Yaohan, Li Jing, and Shen Wei. It belongs to the standardized Hong Kong-style ghost film of the VCD era. The plot is gloomy, the screen is blue and the characters are nervous. When answered this question today, "It turned out to be this movie." The scenes from the movie seemed to be vivid.
There are two parts of "Menggui Mountain Grave". The first part is the horror film we are talking about today. The second part is a slightly erotic horror film. I have seen both , and they are the oldest VCD discs of that kind. In the only video room in the town, the boss can make more money and only need 50 cents on weekends in the afternoon. Slightly erotic thrillers, and occasionally third-level films featuring Hong Kong-style beauties such as Ye Zimei. But the boss still has a bottom line. If you really want to broadcast real swords and guns, the kid will be swept out of the video room. Only a group of hungry young and middle-aged men were left watching the flowers and the moon, which made us children really full of infinite curiosity about it.
Back to the topic, if is in accordance with the current evaluation criteria, the Douban score of "Mengguishanfen" is only 5.3, which is a complete failure. But for those of us who lacked the spiritual and cultural life of film and television at that time, it could be regarded as a kind of comfort and adjustment of life.
1. Looking back, the plot of "Menggui Mountain Grave" is actually very simple.
A beautiful girl named Xiaohua (I can't help but think of Liu Xiaoqing's "Little Flower"), was defiled by her adoptive father and her fox and dog friends, and Xiaohua turned into a ghost girl in grief and anger In order to take revenge and shame, first he killed his adoptive father and killed three dog friends. But the adoptive father was a man who knew Maoshan's magic. Xiaohua's "ghosting" was too shallow, and she had to continue to work hard. Although
is a ghost film in 1989, it was still bolder. The scene where Xiaohua was tainted was really a direct vacuum, and today's online version has not been cut much. This should also be a movie that sympathizes with female ghosts and hates scumbags. According to the usual style, people usually win over "ghosts", but this ghost film does the opposite. Female ghosts are in a disadvantaged group, and people are representatives of "evil forces". The topic of "eliminating evil and doing everything".
In this world, ghosts are not necessarily horrible, and people are not necessarily good. If you don't believe me, look up, who is the sky bypassing?
2. Looking back, the painting style of "Meng Ghost Mountain Tomb" is still very gloomy. The most powerful feature of Hong Kong-style horror films that year is that the atmosphere is relatively well-built. "Meng Ghost Mountain Tomb" is no exception. From Xiaohua’s life experience, to being injustice and turning into ghosts, and then to ghosts’ revenge, step by step, utterly speaking, with the typical Hong Kong-style horror film sound effects, it makes the audience feel " Ghosts are not terrible, and ghosts have their revenge.”
However, compared to classic horror films such as "Calling the Soul", "Bat", "28 Days of Surprise", "Rose, Red Lotus" and "Meng Ghost Mountain Grave" It's still a bit primitive. Both the main line of revenge and the fullness of the characters are relatively simple. However, in your free time, it is still a good choice to hug your girlfriend or hug your boyfriend to relive the Hong Kong movie complex.
3. Looking back, Wu Yaohan’s acting skills are also slightly "modeled"
Wu Yaohan can be said to be a golden supporting role in Hong Kong movies in the video room era. I feel that he is everywhere . The most impressive thing is "Fast Food Truck" with Jackie Chan and Sammo Hung. "Fortune Stars" and other movies, but he often has important roles in some horror films. The difference between
and Lin Zhengying’s "Taoist" image is that Wu Yaohan is a small character who has studied all kinds of weird spells. For example, the image of adoptive father in "Mengguishan Tomb" is a figure who has some knowledge of spells. But they are not professional enough, and they are a bit cowardly of "small citizens", so there is the story of Xiaohuabei Lujian.
Wu Yaohan in "Menggui Mountain Grave", the final ending is "the poor must have something to hate" . But in reality, Wu Yaohan is actually quite nice. He has made 62 films and 2 films. He has won the 3rd and 9th Hong Kong Film Awards.Nominated for a good actor, but his best work should be his son Wu Jialong.
Wu Jialong was born on March 27, 1976. He has a good image and temperament. He debuted as a model. He has appeared in films such as "Love at First Sight", "Naked Agents", "Mekong Operation" and "Wonderless", but they are generally golden supporting roles, so they often give The audience was surprised that "it was him". Wu Yaohan and Wu Jialong, the "father and son soldiers" on the screen, are so similar to the stars, and no one can tell the secrets.
is like the theme to be expressed in "Meng Ghost Mountain Grave": people are doing, the sky is watching, and the cause and effect are wonderful.
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