no man’s land is a western movie and a road movie, which reveals wild blood, but it is not an action movie; the starring actor in no man’s land is Xu Zheng and the supporting role is Huang Bo, but it is not a comedy, so it must be given to It belongs to a category. It is a black crime film, but this is just a label, not enough to define it. This statement is because it is not pure enough, so it is really filthy, and there is a little humanity left in the crime, so it can cause Thinking.
At the beginning of the film, the protagonist and lawyer played by Xu Zheng clearly told us-this is a story about animals. If you treat the relationship figures in the film as human beings, and then think about the ambitions and meaning of life, it would be wrong. In "No Man's Land", these characters are first of all beasts, they are monkeys, eagles, falcons, tigers, horses, and lizards... This is what makes it different from "Kekexili", in "No Man's Land" There is no law, no morality, and even money is so mean and useless. There are only life and death, joys and evils, which are the most instinctive life and death of living things.
The characters in "No Man's Land" have no names except for the lawyer played by Xu Zheng who is named Pan Xiao. They are replaced by professional or code-like titles such as "Jiaojiao". Ning Hao set this up because only Pan Xiao broke into the "no man's land" as a "human". There are only animal-like creatures in the no man's land, and no names are needed. The biggest villains in the film are hawk dealers and black shop owners. They are equivalent to all evil drug dealers and profiteers. They can sell their souls and bodies for money. They are truly inhuman beasts and the most vicious existence in no man’s land. The no-man’s land does produce inhuman beasts, so no-man’s land needs law, justice, and fraternity. This is a human view. But no man’s land should not come to people. Without the desire for evil that man brings, animals in no man’s land can continue to survive in accordance with the laws of nature.
is the tentacles of art extending to no man’s land. Only art can extend to those unknown possibilities. First of all, we must respect movies and all other art forms. Art will naturally develop towards beauty, rather than perish towards evil. It is the mother's fault to let art die. A good mother is really responsible. You need to understand that the responsibility is not to listen to the mother, but to teach the children to think and grow up. Good and evil, but between one thought, there is no absolute distinction between good and evil in human nature. People are rich and dead and birds eat and die. Facing this big era, few movies are willing to ask questions and think like this. It can easily be degraded by cynics and hypocrites as pretentiously deep! The characters in the
movie have no names except for the lawyer played by Xu Zheng, who is named Pan Xiao. They are replaced by professional or code-like titles such as "Jiaojiao". Ning Hao set this up because only Pan Xiao broke into the "no man's land" as a "human". There are only animal-like creatures in the no man's land, and no names are needed. Violence in the
film is ubiquitous. When expressing these violent elements, director Ning Hao often adopts a Quentin-style "sudden" violence method. When presenting the violent scenes, the audience is not greeted in advance, which is unexpected to the audience. Under the circumstance, the element of violence is suddenly displayed, which brings violence and at the same time causes a kind of fright to the audience, implying the cruelty of survival in the no-man’s land world. For example, the boss of the poaching gang suddenly broke into the screen and penetrated the house while driving a car; the killer played by Huang Bo was smashed with a hammer by a mentally handicapped man without warning... all these "sudden" in the film Violence reflects the black absurdity of the entire film. The entire film of
was performed in a gloomy atmosphere. Director Ning Hao said that the later stage of the film deliberately turned the film into a grainy effect, which is consistent with the mood and color of the entire film. Everyone here is constantly demanding from others or nature in order to survive. Pan Xiao appeared here because of his own greed, or for his own survival, he defended the innocence of the bad guys. This has paid its own price. Gobi, wind and sand, everything here has no color in our eyes, and human nature is nakedly exposed here. The fiercest confrontation in this film has already occurred, that is, two types of people with completely different worldviews, outlooks on life, and values. What kind of passion can they touch in the conflict between birds and money, and the confrontation between life and death? And blood.
Human nature has good and evil, and no good or bad force! Xu Zheng's conscience made several times to give up the chance of self-escape and try to save Yu Nan. This thing itself is also a kind of pretence. The same is true for Bardo who arrived at the last moment to sacrifice the biggest move and plan to kill the big boss. Of course, in thisIn the cold-hearted film, talking about passion and passion, they all look very pale. After all, all the emotional changes in the plot seem to be decided instantly without warning. The Gobi bandits have the simplest original ecological temperament. Existence, no emotional brewing, no inheritance and transformation, throughout the article I saw Xu Zheng, the only character who can be closest to the hearts of our theater audiences, leading the audience through one after another, seemingly abrupt and unexpected but reasonable The catastrophe among the minor disasters.
-
-
-
-
-
-
-
-
-
-