The themes of police and robbers have always been popular in Hong Kong dramas, and "Mobile Force" sounds like a bloody effect, which seems to be the same as the compact and exciting "Flying Tiger" of the year. If you look closely, it's not the same style at all.
The actor Gao Jiasheng played by Lin Feng appeared as an undercover gangster. After betraying his big brother on the road, he returned to the police force and joined the mobile unit PTU. Is this kind of plot familiar? Just like the explosive Seed in "Apostle Walker", five years later, Lin Feng has sunken cheeks, and the generation of male gods is really old.
However, the dialogue in the play seems to have crossed to "Infernal Affairs." Lin Feng raised his gun and said to the underworld brother "I'm sorry, I am a policeman." After Lin Feng's undercover identity was exposed, does it sound familiar?
and this sentence that the boss said to Lin Feng: "You will have to pay it back sooner or later when you come out." Is this also a tribute to Infernal Affairs?
and the personality of Lin Feng in the play is also quite peculiar. After six years of undercover career, he is still irritable and impulsive, so he has been "fixed" very badly all the way. When
was found to be an undercover agent, he was kicked by the elder brother on the underworld~
his girlfriend happened to be the sister of the underworld brother, which was equivalent to betraying his eldest brother-in-law. So he was beaten up by his girlfriend~
, after regaining his status as a police officer, I thought that the gangster was shot because of his betrayal. The boss kicked him into the river in order to calm him~
, after he became a PTU member, he was chased by the villain. After the bad guy KO~
accidentally injured a colleague, the captain played by Asa slapped a slap in the face~
because of his past undercover status, my colleagues suspected that he had taken the stolen stolen goods and played against him, so he almost made a big shot at 76z
z~zz Being beaten, even Lin Feng himself had to shout: What a miserable man. However, as the heroine, Asa did not get any better. The female Sha Zhan He Huiling, who played by her, suffered a psychological shadow from her father's death since she was a child. She often went to see a psychologist. The boss suspected that Gao Jiasheng sent her to PTU for surveillance. She was unwilling. He can only obey orders; the worst thing is that the boyfriend who has been in love for 600 days only realizes that he is a scumbag before he gets married.boyfriend's mother had promised that they would have a child to buy a floor. As a result, the hostess confessed to the fact that she could not have children, her boyfriend turned into this face: "Where do I have a house to live in if you donβt have children?" Let the woman pay compensation, these three views are really shattering the five senses.
and then the "scum man" is completely exposed. I really want to shout through the screen: Sister Sa, go and beat him like a violent man!
But I still have to sigh: Asa, what brand of preservative have you taken? Why have you always been so up-to-datelong?
However, the screenwriter should have made such an arrangement with good intentions. For the male protagonist, there is no impulse in the early stage, how can there be growth and transformation in the later stage? For the female protagonist, if there is no early scumbag off the assembly line, how can the later self-improvement and the male protagonist smoothly hold hands? But this kind of plot development also seems to be a bit old-fashioned, I wonder if there will be any reversals in the plot? It still depends on the follow-up development.
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