"The New World" finale reappears "5 flaws", Wan Qian becomes the biggest failure of the play

The finale of "New World" reproduces "5 flaws", Wan Qian became the biggest failure of the whole show

Sun Honglei, Zhang Luyi, Yin Fang, Wan Qian, Hu Jing and others co-starred in the 70-episode TV series "New World" is about to usher in the finale , The play not only has a strong lineup of leading actors, but also guest appearances are full of stars. Its rather charming and suspenseful opening gave the audience great expectations and Douban also gave a high score of 8.2. However, as the plot progressed, Douban's score fell all the way to 6.1 at the finale, which shows that the audience has exhausted the enthusiasm and patience of chasing the drama in this long 70 episodes.

If the beginning of "New World" is too deified Tian Dan (played by Wan Qian) is just to make the audience feel a little "suspended", the blind arrogance of the little policeman Xu Tian (played by Yin Fang) is confusing and tolerable. "insufficient". So, the five flaws reproduced in the finale of "New World" really make the audience feel that IQ has been rubbed and emotions have been desecrated.

First of all: abruptly sensational

Tian Dan took the mission to Peking, but he encountered his father's departure and the betrayal of her boyfriend Feng Qingbo as soon as he appeared. As the heroine of this play, it should be said that Tian Dan not only carries a great historical mission and responsibility, but also made a great sacrifice. In just about 20 days, he lost two of his beloved ones at the same time. People, this role should be more heavy and explosive.

However, this is such a character with a halo, but Xu Tian just met his fiancee, father and eldest brother's unfortunate moment of sorrow to express his love.

This unexpected sprout of love, apart from being blunt and unreasonable, can't make any ripples in the audience. Because the audience is still immersed in the grief and anger of the betrayal of the lost loved ones and trusted people, our heroine and heroine have the "next spring" of love. We have already experienced this blunt sensational way of

in "Old Tavern", but we did not expect to meet again in "New World" shortly afterwards. This kind of routine of domestic TV series has been tried repeatedly. I just don’t know why the director can’t let the male lead and the female lead maintain pure friendship and like-minded comradeship? Is it that only love is their only destination? Such a cliché ending is really boring and boring.

Secondly: if there is another alias for "New World", it should be called "Looking for the Little Red Coat", a 70-episode drama, it took more than 60 episodes to find the Little Red Coat. Xu Tian is like a Xiaoqiang running on the road who can't be beaten. Even when his elder brother is in danger and his father is unclear, he is still persistently and determinedly looking for the little red jacket.

And the ending of prison guard seventeen is the little red jacket, it is the screenwriter's mystery and loopholes.

When Jia Xiaoduo was attacked, the little red jacket should have bitten his hand. Later, Tielin shot Tian Dan in prison, and Seventeen also injured his hand. The results of it? At the beginning of the seventeenth, there were no injuries on his hands, and the little red jacket did not hurt his hands when he attacked the grocery shopping girl.

​And Tian Dan had been babbling and analyzing the details for a long time before, and all of them were all applied to Seventeen. Moreover, because Xu Tian couldn't find the little red jacket, Seventeen had to jump out by himself to commit crimes one after another, and quickly added the details of buying Hardman cigarettes and claw buttons, and couldn't wait to justify the embarrassment or embarrassment.

For the audience who watched Conan as a child and saw Keigo Higashino as an adult, this kind of holey logic and suspense setting, as well as the meaningless camel wandering around, is just another tool for the director to make fun of it. Some viewers must To discuss its strokes, you can laugh it off, even as a farce on earth.

Third: Forced to be sad

At the new world finale, Jin Hai and Nagae left one after another, two sympathetic men. Jin Hai died under the iron forest spear, and Changgen took his own life by drinking a bomb. Arranging the ending of the two characters in this way is also the traditional way of this kind of TV series.

On the one hand, both people are burdened with blood debts, inheriting the role of the old order and following the old morals, so they are destined not to enter the new world. On the other hand, these two very audience-loved characters leave sadly, and they can earn enough eyeballs and even tears.

However, Changgen can leave, and Gimhae has many options. Changgen took his brother back to Sichuan, and Jinhai took Meilan south to hermitTo bury one's name may not be another ending in troubled times.

Fourth: Depart from the norm

Shen Shichang (Qin Han) knows that his identity has been exposed and the overall situation cannot be determined and controlled, but he still does not make early preparations. Moreover, he knows that Tielin is not reliable. Tielin must get rid of Jinhai and Xu Tian. What's more interesting is that Tian Dan's gunshot wound was not healed, so he dared to arrest Shen Shichang directly when he found a comrade from the Ministry of Urban Engineering, Wang Weimin. All the methods were out of routine and illogical.

And before going, Tian Dan made a special call to Shen Shichang, saying that he was still alive, so why don't you run away? Then, Tian Dan and Wang Weimin stopped Shen Shichang, who was at the end of the road in the busy street, and the two sides had another life-and-death confrontation. This artificial method of creating conflicts is more pale and feeble than letting Guan Shanyue act as an senile dementia to make trouble.

Fifth: Forcibly Consummation

Yin Fang, the male protagonist Xu Tian and Wan Qian’s female protagonist Tian Dan, are the number one male and female number one in this show. They all represent kindness and justice, warmth and light. Therefore, no matter how reckless, blind and impulsive Xu Tian is, no matter how he advances and retreats indiscriminately, he can always turn danger into peace and turn danger into peace.

Tian Dan is even more so, after the bloodletting and freezing are finished, he can still go back and forth, and the protagonist’s aura is so powerful that we had nothing to say.

However, in the end, the choreographer had to make the male lead and the female lead emotionally complete in the finale, which was also extremely naive and ridiculous. Tian Dan has just lost a boyfriend who has been in love for four years and is ready to entrust him for life. In order to find the little red jacket, Xu Tian ignored his relatives and friends around him, but in just 20 days, he empathized and restarted his life towards completion. It feels ridiculous besides embarrassment.

70 episode of "New World" finally finished the 20-day story. Most of the actors in the play performed very well. Song Dandan, who appeared as a guest, was like a glimpse, and Zhou Yiwei, who had few scenes, also instantly attracted fans. In the protagonists, Sun Honglei and Zhang Luyi are responsible for the acting and traffic of the whole show. Although Xu Tian played by Yin Fei is annoying, but from the perspective of acting, it is still bearable. On the contrary, Wan Qian, who played Tian Dan, became the biggest failure of the play.

In fact, before "New World", Xiaolou's feeling for Wan Qian was pretty good. Although her performance was not amazing, at least she was quite satisfactory. However, in "The New World", I don't know whether it is the director Xu Bing's problem or Wan Qian's performance skills. Wan Qian is slow and weak from beginning to end, and there is almost no fluctuation in mood. Some inexplicable little moves are even more impressive to the monk Zhang Erchi. Not mindful.

The grief after losing his father, the anger after knowing her boyfriend’s betrayal, the urgency after escaping from prison, the pain when he was injured, here in Wan Qian, everything is calm and relaxed, even in prison with Jinhai and Xu Tian The dialogue, that kind of look and tone, I feel that I am flirting and coquettish at any time, sitting in Xu Yunnuo's house and eating a snack, my legs are still swinging around. Is this to be at home? Still have to be naive and rude?

Wan Qian's understanding of Tian Dan seems to have entered a misunderstanding, coupled with her deliberate performance, the audience is completely unable to empathize with this character. In contrast, Da Yingzi's naive attitude and Dao Meilan's external softness and internal rigidity are very contagious. Wan Qian's performance is too heavy and deliberate. Not only is Tian Dan's role unpleasant, but Wan Qian's acting has many loopholes exposed.

From "Old Tavern" to "New World", from Qin Hailu to Wan Qian, if there are no good scripts and directors that can withstand the market test, even if there are powerful acting actors like Chen Baoguo, Liu Hua and Sun Honglei and Zhang Luyi, the audience Eventually, they will lose patience and confidence in domestic dramas. Especially the female characters who have lost their independent personality in domestic film and television dramas. Is it a misunderstanding and distorted understanding of contemporary women by the "straight male" screenwriters?

"New World" ushered in the finale, but our domestic dramas still have a long way to go. There is a long way to go. Our creators must not forget their original aspirations to enter a truly new world.