In the just-concluded TV series "Alley People", Zhuang Tunan is undoubtedly a truly ideal character in the creator's mind. Throughout the play, Zhuang Tunan, played by Fan Chengcheng, can be called a "new good man" - a good man in the new era. Influenced by the previous gene

In the just-concluded TV series " Alley People ", Zhuang Tunan is undoubtedly a truly ideal character in the creator's mind. Throughout the play, Zhuang Tunan, played by Fan Chengcheng , can be called a "new good man" - a good man in the new era.

Influenced by the previous generation, he also has a strong sense of family responsibility. He is a good son to his parents and a good brother to his sister. However, unlike Zhuang Chaoying, he has an independent personality and a new era family outlook. He protects and tolerates his family, but does not depend on it; he is filial and helps his parents, but does not obey them; he reconciles family conflicts and even sacrifices himself, but does not sacrifice the interests of his family. His purpose is for each family member to move forward and thereby make the family better.

As a young man in the new era, he has a strong self-awareness and his own pursuit of love. He has never given up his love for Li Jia, but unlike Zhuang Xiaoting and Lin Dongzhe who have no scruples for love, he has always hidden his love for Li Jia in his heart. All this stems from his strong sense of responsibility and ideals change.

Family is one aspect of responsibility and idealization, while on the other hand it is responsibility and ideals for society and the country. In fact, Zhuang Tunan's success lies in handling the relationship between the individual, the family and the country very well. From a small perspective, he is familiar with national policies, has foresight, dares to think and act, which has brought practical benefits to himself and his family, such as doing business in partnership with Lin Dongzhe and Xiang Pengfei; from a large perspective, he gave up private business He was hired with a high salary, stayed at the design institute, and actively participated in the construction of national projects. This behavior was explained in his words, "It is good to have money, but it is not that good." This shows his lofty ambitions.

It should be said that the artistic image of Zhuang Tunan embodies the highest ideal of intellectuals in Chinese society: the unity of the four in cultivating oneself, harmonizing the family, governing the country, and bringing peace to the world. It is extremely difficult to create such an image of four unified good men: if they are more, they are fake, and if they are less, they are weak. As a young actor, it is not easy for Fan Chengcheng to put aside his past glitz and down to earth to create such an artistic image that is both realistic and ideal.

Because Fan Chengcheng’s life and growth environment, personality traits, and his star image among the public are far different from Zhuang Tunan , it is impossible to shape characters by experience. What's more, Zhuang Tunan is actually a more introverted character. He does not have strong dramatic conflicts and a more distinctive personality. As far as the actor himself is concerned, he will have a feeling of digging into the ground. , it is easy to act like a good old guy and chaotic water if you are not careful.

Fan Chengcheng handled Zhuang Tunan's interpenetrating character traits of "honesty," "smartness," "wisdom," "tolerance," "humor," "perseverance," and "steadiness" relatively well. Through actual events or interpersonal relationships, Highlight a certain aspect of personality to create a character. For example, Zhuang Tunan's treatment of Zhuang Xiaoting and Xiang Pengfei reflects stability; his treatment of his parents, his wisdom; his treatment of his grandparents, his tolerance; his treatment of business and career, his wisdom; his treatment of Lin Dongzhe, his humor ; Treating specific work and Li Jia reflects persistence; treating Li Jia’s parents reflects honesty...

Overall, Fan Chengcheng's performance as Zhuang Tunan gave the audience a feeling of youthfulness, unrelaxation, and even a bit stiff and unnatural in some places. For example, his eyes, especially in close-ups, seemed absent-minded or dull. But these are exactly in line with the temperament of young intellectuals like Zhuang Tunan who have just entered society with idealism and devoted themselves to the construction of the motherland - they are all young and inexperienced, and they long for It's wonderful, but often at a loss as to what to do. Becoming a "new good man" should be Fan Chengcheng and Zhuang Tunan's common life goal.

Text/Beijing Youth Daily reporter Man Yi

Editor/Cui Wei