Beijing News (Reporter Zhou Huixiaowan) On November 13, the special screening event across the Strait, jointly curated by the Golden Rooster Film Festival and Taopiaopiao, officially kicked off with a "Light and Shadow Dialogue" that brought together outstanding filmmakers from b

Beijing News (Reporter Zhou Huixiao Wan) On November 13, the special exhibition event jointly shown by the Golden Rooster Film Festival and Tao Tickets officially kicked off with a "light and shadow conversation" that brings together outstanding filmmakers on both sides of the strait. China Filmists Association Director of the Foreign Liaison Office, Zhang Chi , Minister of the International Film Festival of the China Golden Rooster Hundred Flower Film Festival, as the representative of both sides of the two sides to speak; the vice chairman, screenwriter, director of the Chinese Filmists Association Zhang Ji, the famous audiors Du Duzhi, director Weidesheng, and many other crabstein filmmakers gathered together, bringing a film culture talks across the strait.

brings together the "Light and Shadow Talk" of the outstanding filmmakers on both sides of the strait.

It is reported that during this Golden Rooster Hundred Flower Film Festival, 9 Taiwanese films such as "816", "Tragedy City" and "Maritime Flowers" will be displayed. Cross -strait film and cultural exchanges represented by the Strait Special Screening and "Light and Shadow Talks" responded to the call of the State and Taiwan Affairs Office of the State Council to encourage cross -strait film and television industry to further strengthen cooperation. In the

talk event, the main creators shared the story behind the scenes under this wave of film and television cooperation, and conducted in -depth and detailed discussion on the future creative direction. "The first time I came to the mainland was filming in Xiamen, and I had a very familiar relationship with Xiamen. Taiwan and Xiamen's language, culture, life culture were the same. I look forward to cooperating from a similar environment in the future. Maybe it is the best start!" Wei De Sheng said. Zhang Ji proposed: "The market is changing, young audiences are changing, and they must actively respond to market changes. In terms of subject matter selection and narrative rhythm, they must be both capable of tolerance and reunion. True 'Shouzheng Innovation'."

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