"Come on, Boy" tells the story from the perspective of a bad student. It tells the story of how a bad student got to know top students, goddesses, best friends, etc. in high school. Among these things, the scumbag students gradually formed friendships with these classmates, and faced the college entrance examination together. Storytelling from the perspective of a bad student is indeed more interesting than that from the perspective of a top student. After all, among the things that top academics do, there is only learning. And in the world of scumbags, there is still love.
High school dramas have a constant "story attack", and that is the college entrance examination. All campus students need to face this problem of college entrance examination. Therefore, everyone needs to study hard. In "Come on, Boy", of course, the top students continue to cheat in their studies, while the bad students also have the intention to catch up. Since it is from the perspective of a bad student, of course in the story, there will also be incidents where the bad student's grades began to improve by leaps and bounds after studying hard. Things like
are typical cool drama stories in TV dramas. In real life, it is nonsense. Academic scumbag is not developed overnight, but accumulated over many years. Many school dramas like to have themes about bad students counterattacking. This kind of approach is seriously divorced from reality. In the real campus, even if the scumbag students finally exert their efforts, it will be in vain, because if the foundation is not laid well, it is impossible to continue to build.
The content of campus love is the same as that of all high school dramas, and this "Come on Boy" is also about it. After all, in the minds of parents, how can children fall in love when the college entrance examination is so stressful? Therefore, in this type of TV series, young people have ignorant feelings about the opposite sex. This sense of ignorance may be very suitable for young audiences. School dramas are obviously meant for young audiences who are still on campus.
In "Come on, Boy", the bad-school male protagonist has a wealthy family, lives in a big villa, and has a wealthy father. This kind of character design is a typical domestic drama without poor people. The vast majority of school dramas belong to the suspended drama industry. Why don't they show the lives of poor people? Because poverty is the mainstream of life, once it is shown in school dramas, this group of young viewers who like to pursue their dreams through TV dramas will feel heavy.
Therefore, campus dramas have fallen into a "vicious cycle" - its established audiences are temporarily unable to tolerate realistic dramas, and this type of TV dramas continue to favor this audience. In the end, this audience becomes even more Lack of ability to accept realistic dramas. And this kind of audience, after they grow up, become the audience for fantasy dramas, idol dramas and the like. Excellent TV dramas need to carry realistic stories and philosophical realism. And these contents must be heavy. If you are not able to prepare, you will not be able to bear it.
The most important aspect of the school drama is the amount of comedy baggage. This "Come on Boy" is quite good in terms of the burden of youth comedy, and some scenes can still make the audience laugh. The convenience of creating a school play is that with a little effort, everyone can laugh. Because the audience is not critical of this type of TV series. When children play comedy, they are often more interesting because they are sincere.
Based on the above, I think that the TV series "Come on, Boy" is suitable for viewers who are still in campus life. It is right for this type of TV series to be released during the summer. However, the overall level of campus dramas is low. This TV series is no exception. In the play, you cannot see the real high school campus.Under the everyone-centered mode, the high school campus life in "Come on Boy" seems more like a foreign cultural form. The more balanced the reality is, the more these campus audiences need suspended campus dramas. Why! They are also poor people. (Text/Ma Qingyun)
