Ice and Snow Ballad: Ouyang Nana plays a blind daughter in the new drama, which makes her feel broken!
It’s hard to get some domestic entertainment during the break, Ouyang Nana’s new drama "Ice and Snow Ballad".
I always feel that the title of the drama reveals a strong Mary Sue style. The heroine looks like Angelina Yingxueyu Hanling who appears on a ribbon, and her pupils change with colorful lights according to her mood.
The characters in this drama are rare. Gao Weiguang plays a century-old immortal vampire, and Ouyang Nana is a blind girl who has been bullied since childhood.
In order to match the heroine's character, on the night of the show, Xuanfa even created a new word -
I have already done my best for Ouyang Nana's acting skills.
After waiting and watching for two days, I didn’t expect that there were many positive comments in the feedback, which is a bit strange.
The former "Come on Lu Xiaokui" and "Ants Walking for Ten Years" suddenly became four-star winners on Douban.
But this time, it seems that it has helped Ouyang Nana regain her reputation on a small scale.
Ouyang Nana’s acting skills made a comeback overnight. We talked about this in detail a while ago, but at that time we did not talk about the hero behind it -
director Li Muge.
Who is Li Muge?
is considered one of the most popular directors in domestic entertainment in recent years, with a rich resume in idol dramas.
No matter it is black, white or purple, it can be turned into red through his hands.
Of course, the current domestic entertainment industry cannot be built by Li Muge alone, so we have to mention several other directors who divide the market and are active in front of the audience.
Let’s talk about these behind-the-scenes players based on their skills.
The first thing I want to say is, Zhu Ruibin, people give him the nickname Zhu Deng.
Other people’s idol dramas rely on romance, and the moon rises above their brows. For Director Zhu, a big light is enough.
Let’s talk about the transfer of love in domestic entertainment. Who has not been burned by Director Zhu’s headlight.
"Stars Fall into Sugar" Li Randi
Director Zhu is the most senior among the directors, covering a wide range of subjects, including ancient puppets After making a fortune in entertainment, he began to focus on idol dramas.
supported Yang Zi from the second female lead in "Zhu Xian: Qing Yun Zhi" to "Sweet Honey" and was nominated for the best actress in Huading's costume theme.
I don’t know if Yang Zi’s journey of starting a second family inspired other traffic. Subsequent traffic actors followed suit one by one and implemented secondaries.
Dilireba collaborated with director Zhu in "Long Song Xing" and "Acquaintance with the King at the First Time"; Bailu collaborated in "Ning'an Like a Dream" and "White Moon Brahma Star" one after another.
But unfortunately, except for Yang Zi, the director’s bonus to other traffic does not seem to be large.
From this we can see that Director Zhu’s ability to praise people is not stable .
But Director Zhu has his own specialty -
narrative and rhythm.
His narrative ability benefits from his early experience in Hong Kong dramas. The plot does not drag out and the rhythm is strong.
makes up for the disadvantage of domestic entertainment ancient dramas that often have fifty or sixty episodes but are empty.
On the basis of passing the script, Director Zhu can use his own advantages + BGM scheduling to improve the excitement of the plot.
His works are often popular dramas but not popular. You may not like the actors, but the plot progress is never watered down.
But Director Zhu’s advantages and disadvantages are like two sides of a coin, they are obvious.
The camera’s perspective changes faster than the viewer can blink.
Director Zhu can actually try to make a suspense film
. The overall presentation is not aesthetically pleasing, he is prone to ghosts, and loves to make faces. Sometimes he also wants to make some fashionable sound effects, such as "Ning'an Like a Dream" "Bitter fruit is also a fruit, a fruit, a fruit... "Stereo loop sound effect.
It received good reviews such as "Sweet Honey". When I rewatched it, I could only admire Yang Zi's acting skills at the time, which completely made me ignore the straight male aesthetic of this drama.
Director Zhu’s shortcomings have dissuaded many viewers.
Without understanding the plot, the impact on the actors is that it is easy to appear as fun in the collection of weird shots.
Even if she is more beautiful than Dilraba, Director Zhu can always find one or two blind spots, let alone other actors.
Director Zhu only cares about the plot, and does not care about the lives of the actors and the audience. When the plot and acting complement each other, it is easier to make a hit.
Similar to Director Zhu, Guo Hu, a man who boasted that "Goblin" was outdated, but ended up filming "Earth as Camp".
The two leaders are at similar levels, their ability to praise others is unstable, and their own abilities are still limited.
But the limited Director Guo, in the limited space, can actually perform to an extraordinary level.
is like a student in exam-oriented education. When he hears "how r u", he can immediately catch "i am fine, thank u, u" to complete the answer.
But if you really let him go and have a conversation, the effect is not good.
For Director Guo, the limited room for play "Chow Sheng Ru Ru" and "Lotus Tower" were outstanding, but Director Guo did not understand that the Indian shots included in them were flaws, not the icing on the cake.
When it came to "Agarwood" and "Love as Camp", they only focused on showing off their skills and ignored the presentation of the work. Everyone has seen the final result, which actually caused harm to the actors.
When the news came out that Cheng Yi and Yang Zi would collaborate on the fairy tale "Agarwood Like Chips", fans expected that the two would join forces and their performance would reach a higher level. They cut their seats after seeing the live broadcast.
In comparison, Director Guo’s ability to praise people is very limited, which not only depends on the acting skills of the actors, but also depends on the subject matter and room for development of works.
is currently only suitable for the costume track, and the bonus for actors is not stable.
I hope Director Guo won’t be exposed to more romantic themes, otherwise it will be harmful to others and himself.
Next, Director Guo also has Tang Yan’s fairy tale romance "Nian Wushuang", which can only be said to be a blessing for the molasses.
Who can understand that this is the appearance of a fairy
After talking about these two directors who are not very stable, let’s talk about two directors who have achieved relatively good results in their praise.
Yin Tao, Gong Jun’s last life-saving straw.
Looking at overall strength alone, Director Yin is completely inferior to Director Zhu Ruibin, but no matter what, Director Yin can praise people.
He is rooted in costume dramas, and his works are of high quality.
"Youth Song"
Although the fan circle has always been skeptical about Director Yin's professionalism.
During "Changfengdu", when the heroine Song Yi realized that the plot was too naive and wanted to change it, the director tried to save trouble and did not make adjustments, and the final plot was criticized.
After the recent broadcast of "Young White Horse Drunk in the Spring Breeze" directed by Chen Zhoufei, I compared it with Director Yin's "Young Song Xing" and found that Director Yin's strength does not seem to be so unbearable.
Let’s take a closer look at Director Yin’s resume: “Glory of the Tang Dynasty”, “Liu Li”, “Legend of the White Snake”, “Under the Brocade” and “Chang Feng Du”.
can start to follow some rules. Although the themes are romance, his works are more popular among male actors.
Not to mention pure martial arts, "Young Song Xing" is the highest score among Director Yin's current works, and it also made Liu Xueyi, who has been playing soy sauce for many years, start to add cornstarch as an alternative.
"Liu Li" also created the image of Cheng Yi, who is beautiful, strong, miserable, weak and arrogant.
Director Yin’s works seem to subconsciously add highlights to male characters, but he lacks imagination for female characters.
If the male and female protagonists in the work are strong women and weak men, or both, the final effect will be as terrible as "Eternal Jue Chen" and "Let's Test the World".
In "Changfengdu", Bai Jingting suffered battle injuries and self-flagellation. When it comes to the heroine Liu Yueru, no matter how talented and beautiful she is in the original work, the audience is left with more like a delicate girl on an assembly line.
It’s hard to comment on the other actresses under his lens regardless of their appearance.
Many of the black pictures that Yang Zi is currently attacking are from "Tianji", while Jing Tian's title of "Sad Frog" comes from "Glory of the Tang Dynasty".
In short, Director Yin is better at praising male actors.
This also explains why Gong Jun still cooperates with him despite repeated resistance from fans. After the "flowers withered", Gong Jun really needed this life-saving straw.
Since internal entertainment has this springboard for niche students, does Xiaohua have similar equipment?
This brings up the man at the beginning of the article -
Pollen ParadiseLi Muge (negative public opinions are given priority).
Li Muge's works are like some kind of public opinion turner. No matter how dirty the actress is, as long as she enters, she can be transformed.
is good at exploiting strengths and avoiding weaknesses in terms of lens language, and reversely uses the public opinion of the actors in terms of character setting.
According to public opinion, Meng Ziyi is mean and vicious, with no emotional intelligence, so he simply created such a character in "Speaking of Heroes is a Hero".
But it adds a tragic color to the character's evil, so the "evil" the audience sees is excusable.
Jing Tian used to be a well-deserved resource person but not down to earth, so the character in "Si Teng" has become like these negative images, becoming a queen who is aloof and has no fingers in the spring water.
The same image can be interpreted in another way, which is positive words such as 钒, 拉 and so on.
The same is true for "Ice and Snow Ballad" this time, with empty eyeshe simply went online directly.
Ouyang Nana has become the cash cow of the Ouyang family, and has been drained of commercial value in turns. That's how the character is.
was neglected by parents who favored sons over daughters, and lived in the beatings and insults of his mother.
You see, this is what makes Li Muge unique.
The negative public opinions of the actresses who became famous in his works often overlapped with their roles. Li Muge seized on this overlap, magnified and reshaped it, and was able to help the actress become famous.
The actresses under his lens are smart, lively and can exude charm.
In addition, the domestic entertainment director's ability to maintain a unique aesthetic level amidst the straight male aesthetic is also an important reason for the success of these characters.
As an actor, Ouyang Nana also has an obvious blind spot on her face..
The directors I worked with before did not seem to be aware of this problem. It is no wonder that Ouyang Nana will step into the ranks of the "Four Popular Women" in domestic entertainment from time to time.
However, most of Li Muge's shots of Ouyang Nana are tilted, and the clips that require side faces will also be blurred by light and shadow.
Peng Xiaoran in "The Everlasting Star", even though her character makeup is similar to that of "East Palace", she still can't surpass Qu Xiaofeng.
Control variable method, only the director can change.
Li Muge's aesthetic had already taken shape before "East Palace".
In "My Youth Meets You" starring Jiang Yan, Li Muge discovered the malleable "squeamishness" in Jiang Yan's image six years earlier than "South and North".
There are thousands of beauties in domestic entertainment, but there are only a few who can restore the beauty of actors.
What the audience also likes to see is a reversal, so actresses with more negative public opinions can use it to clear their name.
Director Li is not omnipotent. His imagination is so rich that his presentation in modern dramas will turn things upside down.
Otherwise, there would not be such a nonsense drama as "You Are My Human Fireworks".
No matter what, Ouyang Nana’s reputation has turned around, which once again verified Director Li’s ability to praise people.
Although it is a coincidence, it is not a shortcut for actors.
Many times, no one wants to admit in despair that the problem is their own fault, so they can only blame it on the director, who takes the blame for everything.
However, after the actual list, I found that these directors can carry the traffic banner of domestic entertainment, and each of them still has merits..
That being the case, When it becomes a luxury for the little domestic entertainment students to improve their abilities, it is better to hope that they can meet a good director to train them, and the final product will not be really ugly.
Wang Hedi is the most direct example.
"Meeting the Dragon" was broadcast, and he effortlessly entered the circle of "ugly men from ancient times".
After encountering "Canglan Jue" directed by Yi Zheng, it became the most popular film.
Fans can also proudly throw the blame to the previous director, and finally let Wang Hedi take all the credit.
But after leaving Yizheng, Wang Hedi gradually became discouraged. From this, it can be seen that the director must be able to praise him.
Song Qian’s acting skills in the years when she first returned to China and transformed into an actress can be described as explosive in the physical sense.
Every one of them can feed the scissor hands of station B.
Her co-stars and directors were all top-tier celebrities at the time. It can be seen that Song Qian’s preferential resources, but the final result was 1+10. In those years, Song Qian also successfully won the crown of "dazzling acting".
After meeting directors Xu Zhaoren and Chen Zhengdao, this situation ended.
"Love Knot: Chitose-sama's First Love" co-directed by the two is considered a watershed in Song Qian's career.
To talk about Song Qian’s changes in acting, it is better to look at the director’s portrayal of her partner Huang Jingyu.
Capture the charming part of the actor's personality
Different from the stereotype
It is always well known that Huang Jingyu can play a hegemon, but how to perform is not the boss of the assembly line. The problem is, what the director does is to cooperate and capture the actor's own personality charm.
This is also true for Song Qian.
Since acting skills cannot be achieved in a short time, it is better to start with the actor's own characteristics.
Therefore, under the director’s control, Victoria Song’s character Guan Pipi is at least very sincere.
This can be regarded as helping Song Qian gain some time to stay in domestic entertainment.
Actors that Xu Zhaoren and Chen Zhengdao have saved include Yang Ying.
At that time, Yang Ying had already reached the acting circle with her performance in "Skyscraper", but she did not expect that "Crazy Horse Show" would happen.
For Yang Ying, the director used the same method, and even the smiling lips were put to good use.
We have also talked about Yang Ying before. When it comes to acting, she only treats it as work and cannot invest in real feelings. In this case, then find a balance between flow and plot.
acted as a corpse with a smile on his face. After completing the redemption of his brother, he stayed in the darkness.
There is also Tang Yan. Now fans can say that she is nominated for the heroine of Magnolia. Before this, Tang Yan has been stereotyped in the public mind as having no ambition and acting skills and only playing silly and sweet roles.
Although Ms. Wang in "Flowers" is silly and sweet to a certain extent, this role is different from the past. Ms. Wang has a mature enough psychological span.
It took three years to develop a character and it was worthwhile for her.
It’s not impossible for solo actors to work hard, but the director’s guidance cannot be ignored.
What Tang Yan was like before is obvious to the audience.
Tang Yan was lucky to meet Miss Wang, and of course she was even more lucky to meet Wong Kar-wai.
After "Flowers", the voices questioning her acting skills and career aspirations have greatly decreased. Needless to say, Director Wang’s ability to flatter people is needless to say.
You have to insist that it is the actors' own efforts, which is unrealistic. Otherwise, there are so many hard-working actors in domestic entertainment, and there will be no progress in their acting skills.
There is no need to be surprised to see the 85-year-olds willing to be ranked at the bottom of the cast list, and even being hotly searched, in order to star in a film directed by a great director.
Meeting a good director is enough to save many actors from working hard for several years.
Tang Wei didn’t become famous until 2007, but one of Ang Lee’s works can put her on an equal footing with the big stars who have become popular since the 1990s. It's the same in the TV drama industry. Even if you can't rise to the top overnight, it's still very cost-effective to rise to the top in n nights.
In the end, internal entertainment people are smart.
It’s hard for the bastard to stand up. If you lend a hand to push it, everything will be much easier.
