"I want to go to a place where celadon skills are superb!" "As long as we find this missing piece of the puzzle, we can restore a complete history of Chinese ceramics"... In each sonorous line, on the evening of July 23, The large-scale original stage play "Asking Porcelain" with

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"I'm going to a place where celadon skills are superb!" "As long as we find this missing puzzle piece, we can restore a complete history of Chinese ceramics"... In each sonorous and powerful line, on the evening of July 23 , a large-scale original stage play "Asking Porcelain" with the theme of celadon from Huangyan Shabu, Taizhou, Zhejiang, kicked off its premiere at the Huangyan District Cultural and Sports Center Grand Theater.

A history of ceramics, half of which is in Zhejiang. The Shabu Kiln is a major archaeological discovery in Taizhou in recent years. Its discovery broke the traditional understanding that "Taizhou has no porcelain", filled the gap in the development of celadon from Yue kiln to Longquan kiln in the history of Chinese porcelain, and completed the development sequence of Yue kiln celadon. , built a complete system of celadon production in Zhejiang during the Song Dynasty, and became an important puzzle piece in rewriting the history of Chinese ceramics.

"Questioning Porcelain" starts from the local Shabu legend of "Nine Dragons Penetrating the Sky". It tells the story of Yue Ding, a porcelain maker from the Northern Song Dynasty, who went to Shabu to search for porcelain making techniques and Sun Zhenxi, a contemporary celadon archaeological expert who stayed in Shabu for 20 years to search for historical gaps. The main line, the intersection of ancient and modern narratives, allows two people in different time and space to look up at the history of celadon. One is to rekindle the fire, and the other is to find the fire. The millennium inheritance is linked, and the spirit of craftsmanship and unswerving pursuit are linked. The concrete expression also makes this drama an important part of Huangyan's cultural renaissance.

'I want to go to a place where celadon skills are superb!' 'As long as we find this missing piece of the puzzle, we can restore a complete history of Chinese ceramics'... In each sonorous line, on the evening of July 23, The large-scale original stage play 'Asking Porcelain' with - Lujuba

Photo provided by the organizer

In addition to the plot, the stage design, costumes, lighting and multimedia all incorporate many Shabu celadon elements and are well-produced. Inspired by Shabu celadon, the stage is designed with 9 hanging landscape tiles, and the characteristic patterns of Shabu kiln, Shabu map, Shabu celadon, etc. are used in multimedia projection to present a distinctive stage effect. The scene is constantly changing in the strong contrast between light and shadow, but no space is left. The staggered heights of the hanging scenery and the overall arrangement of the stone pillars add a rich sense of layering to the stage, and add a lot of texture under the changing lights. A cyan The picture scroll jumped before my eyes. The costumes are full of ingenuity, using a large number of yellow, gray, green and gray tones (the main colors of Shabu kiln porcelain), and printing and dyeing Shabu kiln pattern fabrics to fully display the characters' personalities and characteristics. At the same time, dance is integrated into the play, allowing dancers in long flowing emerald skirts to transform into images of celadon, moving through light and shadow, fully demonstrating the beauty of celadon, adding to the poetry of the stage, and giving the audience a more shocking visual enjoyment.

's performance was met with thunderous applause, and many viewers were moved to tears by the plot. ""Inquiry of Porcelain" interweaves the two timelines and plots of the characters of ancient celadon craftsmen and contemporary archaeologists, recreating the legendary story of Shabu celadon 'Nine Dragons Penetrating the Sky' in the Song Dynasty and the tireless exploration spirit of contemporary archaeologists. The plot is smooth and moving. , the stage and lighting are magnificent, and it is very moving to be immersed in it. This is a rare good drama that can not only allow drama fans to enjoy the influence of a good drama, but also increase their understanding of Shabu culture." Mr. Mi Qiu said.

Director Jia Yaopeng is a native of Huangyan, and he also has a different kind of emotion for this drama. "There is no shortage of audiences in my hometown, but they lack good dramas. How to make mainstream-themed dramas interesting, watchable, and enjoyable to watch is what I have been thinking about. This drama is based on the theme of Shabu Celadon, and we have been polishing it for a year , I hope to present it to the audience in the best possible way, and also hope to help promote the development of cultural undertakings in my hometown."

Correspondent Luo Bingshi Xinmin Evening News reporter Mao Lijun

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